Bound in cloth blocked with a gilt design, each volume a different colour. Introduction by Jane Gardam and 20 wood-engravings by Peter Reddick. Bound in full dark brown cloth.
The Mill on the Floss. Wood engravings by Ian Stephens. Bound in full dark red cloth. Bound in full dark green cloth. An introduction by Gillian Beer, wood-engravings by Peter Forster Bound in full purple cloth.
An introduction by Kathryn Hughes and with wood engravings by George Tute. Bound in full red cloth. An introduction by Penelope Fitzgerald and wood-engravings by Simon Brett. Bound in full dark blue cloth. Byatt, and with wood-engravings by Harry Brockway.
Bound in full orange cloth. Each volume is in an individual dark-green slipcase and in pristine, unmarked condition. Shown are sample pages from Middlemarch but all of the volumes are in the same condition.